2012-05-01

U.S.A. - CAMBRIDGE-MASSACHUSETTS - Lyonel Feininger: Photographs, 1928–1939

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Untitled (Night View of Trees and Streetlamp, Burgkühnauer Allee, Dessau), 1928, Lyonel Feininger, gelatin silver print, Gift of T. Lux Feininger, Houghton Library, Harvard University, MS Ger 146.4 (291). © 2012 Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn.





One of the most versatile talents of the modern art movement in Germany, the American-born Lyonel Feininger (1871–1956) is celebrated as a master of caricature, figurative painting, and a distinctive brand of cubism, but he also created a fascinating body of photographic work that is virtually unknown. Drawn primarily from the artist’s own collection (now at Harvard University), this exhibition offers the first opportunity to consider his achievement within the medium. Focusing on the rich and productive period between 1928 and the late 1930s, when Feininger was experimenting with an array of avant-garde photographic techniques and printing his own work, these photographs range from early atmospheric night views made at the Bauhaus (where he took up the camera in 1928) to bird’s-eye views of New York City (where he settled permanently in 1937).

The Sackler Museum is the final venue for this traveling exhibition. Selected drawings and watercolors by the artist from the Art Museums’ collections will also be on view. Curated by Laura Muir, Assistant Curator of the Busch-Reisinger Museum, Division of Modern and Contemporary Art, Harvard Art Museums. Organized by the Harvard Art Museums/Busch-Reisinger Museum, in cooperation with the Kupferstichkabinett, Staatliche Museen zu Berlin; the Staatliche Graphische Sammlung München; and the J. Paul Getty Museum, Los Angeles.

Catalogue (Winner, German Photo Book Award in Gold 2012): The accompanying catalogue includes an essay by exhibition curator Laura Muir, which explores the origins of Feininger’s photographic work at the Bauhaus, its development over the next decade, and its complex and ambivalent relationship to his work in other media. Based on Feininger’s correspondence, interviews with his son T. Lux, who witnessed his father’s work firsthand, and the artist’s collection of negatives in the Busch-Reisinger Museum’s Lyonel Feininger Archive, the catalogue presents a wealth of new information that dramatically expands our view of Feininger as an artist and the history of modernist photography.


Havard Art Museums   30.03.2012 - 02.06.2012


Website & source : Harvard Art Museums

Website : City of Cambridge

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